

Jeannine Oppewall
Production Designer · ActorJeannine Oppewall entered the film industry in the late 1970s after a six-year association with the great design innovators, Charles and Ray Eames. She worked as a set designer (Blue Collar, Blow Out, The Rose, Honky Tonk Freeway) before rising to the position of production designer in 1983 with Tender Mercies, the modestly budgeted ‘slice of life’ film, which brought Robert Duvall an Academy Award. For the next several years, Ms Oppewall designed an impressive variety of motion pictures for a diverse list of directors, many with international credentials. These range from the Russian Andrei Konchalovsky (Maria’s Lovers) and the Brazilian Hector Babenco (Ironweed), to include Costa-Gavras (The Music Box) and Luis Mandoki (White Palace). Other credits include Love Letters, The Big Easy, Rooftops, Wonder Boys and Sibling Rivalry. Other films for which she is known are Seabiscuit (starring Jeff Bridges), Catch Me if You Can (Directed by Steven Spielberg, starring Tom Hanks and Leonardo DiCaprio), The Sum of All Fears (starring Morgan Freeman), and Robert DeNiro’s The Good Shepherd, released at the end of 2006. Claudia has received 4 Oscar Award nominations for her films and received the Los Angeles Film Critics Association Award for Best Production Design, 1998 for Pleasantville. She also won the Art Directors’ Guild’s award for Excellence in Production Design for Catch Me If You Can, and was nominated for 5 others of her films for the same. She served on the Board of Governors of the Academy of Motion Picture Arts and Sciences for 9 years and is currently the co-chairperson of its Museum Committee.
More details at TMDB
KNOWN FOR
FILMOGRAPHY
ACTOR9

Remembering Reno: Reflections on the Making of Desert Hearts
2017

And the Oscar Goes To...
2014
Self - Interviewee

Casablanca: An Unlikely Classic
2012
Self

An Old Fashioned Love Story: Making 'The Bridges of Madison County'
2008
Self

Whatever You Desire: Making 'L.A. Confidential'
2008
Self
- Sunlight and Shadow: The Visual Style of 'L.A. Confidential'
Sunlight and Shadow: The Visual Style of 'L.A. Confidential'
2008
Self
- The Making of 'Seabiscuit'
The Making of 'Seabiscuit'
2004
Self

Catch Me If You Can: Behind the Camera
2003
Self

Blue Collar
1978
Woman with Bicycle (uncredited)
ART42

Deep Water
2022
Production Design

Wakefield
2017
Production Design

Last Days in the Desert
2016
Production Design

Rules Don't Apply
2016
Production Design

5 to 7
2014
Production Design

A Perfect Man
2013
Production Design

The Face of Love
2013
Production Design

Peacock
2010
Production Design

How Do You Know
2010
Production Design

The Happening
2008
Production Design

The Good Shepherd
2006
Production Design

Seabiscuit
2003
Production Design

Catch Me If You Can
2002
Production Design

The Sum of All Fears
2002
Production Design

Waking Up in Reno
2002
Production Design

Wonder Boys
2000
Production Design

Snow Falling on Cedars
1999
Production Design

Pleasantville
1998
Production Design

L.A. Confidential
1997
Production Design

The Rich Man's Wife
1996
Production Design

Primal Fear
1996
Production Design

The Bridges of Madison County
1995
Production Design

Losing Isaiah
1995
Production Design

Corrina, Corrina
1994
Production Design

The Vanishing
1993
Production Design

The Wrong Man
1993
Production Design

School Ties
1992
Production Design

White Palace
1990
Production Design

Sibling Rivalry
1990
Production Design

Music Box
1989
Set Designer, Production Design

Rooftops
1989
Production Design

Animal Behavior
1989
Production Design

Light of Day
1987
Production Design

Ironweed
1987
Production Design

The Big Easy
1986
Production Design

Desert Hearts
1985
Production Design

Racing with the Moon
1984
Set Designer

Maria's Lovers
1984
Production Design

Tender Mercies
1983
Art Direction

Love Letters
1983
Art Direction

Cat People
1982
Set Designer

Blow Out
1981
Set Designer





