

Sadao Yamanaka
Director · WriterSadao Yamanaka (山中 貞雄, Yamanaka Sadao, November 7, 1909 – September 17, 1938) was a Japanese film director and screenwriter who directed 26 films between 1932 and 1938. He was a contemporary of Yasujirō Ozu, Mikio Naruse and Kenji Mizoguchi and one of the primary figures in the development of the jidaigeki, or historical film. Yamanaka began his career in the Japanese film industry at the age of 20 as a writer and assistant director for the Makino company. In 1932, he began working for Kanjuro Productions, a small, independent film company similar to many others founded during the same period as it was centered around a popular jidaigeki film star, this time Kanjuro Arashi. Here, he began directing his first films, all of which were jidaigeki. During his first year at Kanjuro, he made six films. He was "discovered" by the critic Matsuo Kishi and gained a reputation for creating films that escaped clichés and focused on social injustices. Early on, he had stated an interest in blurring the lines between several genres: comedy, historical epics, and comedy-dramas focusing on average people. Viewers and critics note in his surviving films the genesis of ideas later explored by the internationally successful Akira Kurosawa, Kenji Mizoguchi, Yasujirō Ozu and Seijun Suzuki. He formed the Narutaki-gumi with his friends, and they wrote under the pseudonym Kimpachi Kajiwara. Yamanaka has been characterized as a minimalist, one whose style favoured elegance and rhythm. During the 1930s he moved between several film companies, eventually settling in Kyoto and working for the Nikkatsu Company. Most of his films were silent films as sound did not gain a prominence in Japan until 1935-36. He worked twice with the Japanese theatre troupe Zenshin-za: first on The Village Tattooed Man (Machi no Irezumi-mono, 1935) and on his final film, Humanity and Paper Balloons. Yamanaka died of dysentery in Manchuria after being drafted into the Imperial Japanese Army. He is the uncle of the Japanese film director Tai Kato, who wrote a book about Yamanaka, Eiga kantoku Yamanaka Sadao. Only three of his films survive in nearly complete form. Description from the Wikipedia article Sadao Yamanaka, licensed under CC-BY-SA.
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KNOWN FOR
FILMOGRAPHY
DIRECTOR15

Humanity and Paper Balloons
1937
Director
- Ishimatsu from the Forest
Ishimatsu from the Forest
1937
Director

Priest of Darkness
1936
Director

Tange Sazen and the Pot Worth a Million Ryo
1935
Director

The Village Tattooed Man
1935
Director

Kunisada Chūji
1935
Director
- Gantaro Path
Gantaro Path
1934
Director
- The Elegant Swordsman
The Elegant Swordsman
1934
Director

Bangaku no issho
1933
Director
- Jirokichi the Rat-Kid: The Journey
Jirokichi the Rat-Kid: The Journey
1933
Director
- Jirokichi the Rat-Kid: Edo Reel Part 2
Jirokichi the Rat-Kid: Edo Reel Part 2
1933
Director
- Jirokichi the Rat-Kid: Edo Reel
Jirokichi the Rat-Kid: Edo Reel
1933
Director
- Satsuma Courier Part 2: The Passionate Sword
Satsuma Courier Part 2: The Passionate Sword
1933
Director
- Iso-no-genta's Sword
Iso-no-genta's Sword
1932
Director
- Ogasawara Ikinokami
Ogasawara Ikinokami
1932
Director
WRITER20

Love And Order
1963
Original Story

Saga of the Vagabonds
1959
Screenplay

Red-Lacquered Sword
1956
Original Story

The Day Before
1939
Story
- Ishimatsu from the Forest
Ishimatsu from the Forest
1937
Screenplay

Mito Komon - The Secret Letter
1935
Writer

Mito Komon - The Bloody Swords
1935
Writer

The Village Tattooed Man
1935
Screenplay

Kunisada Chūji
1935
Story

Mito Kômon: Rai Kunitsugu no maki
1934
Screenplay
- The Elegant Swordsman
The Elegant Swordsman
1934
Writer

Bangaku no issho
1933
Screenplay
- Jirokichi the Rat-Kid: Edo Reel Part 2
Jirokichi the Rat-Kid: Edo Reel Part 2
1933
Screenplay
- Jirokichi the Rat-Kid: The Journey
Jirokichi the Rat-Kid: The Journey
1933
Screenplay
- Jirokichi the Rat-Kid: Edo Reel
Jirokichi the Rat-Kid: Edo Reel
1933
Screenplay
- Satsuma Courier Part 2: The Passionate Sword
Satsuma Courier Part 2: The Passionate Sword
1933
Screenplay
- Iso-no-genta's Sword
Iso-no-genta's Sword
1932
Screenplay
- Ogasawara Ikinokami
Ogasawara Ikinokami
1932
Screenplay

Detective Umon's Diary, Story No. 6
1930
Writer
- Umon's First Exploit
Umon's First Exploit
1929
Screenplay





