

Henri Jeanson
Writer · Actor · DirectorHenri Jules Louis Jeanson (6 March 1900 in Paris – 6 November 1970 in Équemauville) was a French writer and journalist. He was a "satrap" in the "College of 'Pataphysics". Jeanson was born on 6 March 1900 in Paris. His father was a teacher. Before becoming a journalist, he had several casual jobs, including being depicted as a soldier on a good-luck card for a postcard seller, belying his future pacifism. In 1917, he started work for La Bataille, newspaper of the Confédération générale du travail. Noted for his strong writing, he was a journalist throughout the 1920s, with intervening stints as reporter, interviewer and film critic. He was distinguished by the potency of his style and a taste for polemic. Jeanson worked for several papers including the Journal du peuple, Hommes du Jour and the Canard enchaîné, where he defended complete pacifism. He resigned from the Canard enchaîné in 1937, in solidarity with Jean Galtier-Boissière. He was sentenced to 18 months in prison in July 1939, for publishing an article in Solidarité internationale antifasciste, a periodical founded in November 1938 by Louis Lecoin, in which he congratulated Herschel Grynszpan for his assassination of Ernst vom Rath, an official of the German embassy in Paris. He was arrested in November 1939, at which time he had already joined his regiment in Meaux, for articles which had appeared in March and August 1939, and for having signed Louis Lecoin's tract "Paix immédiate". On 20 December 1939, he was sentenced by a military tribunal to five years in prison for "calling for disobedience within the ranks". Jeanson was in prison for his pacifist writings, and this only a few days before the German army marched into Paris. His freedom was obtained by the lawyer and minister César Campinchi. He remained in Paris and in August 1940 was given the chief editorship of Aujourd'hui, an "independent" newspaper. The first issue went out on 10 September 1940. In November 1940, the German authorities pressured him to take a public position against the Jews and in favour of the politics of collaboration with the Vichy regime. Jeanson resigned and went back to prison. He was freed a few months later after the intervention of his friend Gaston Bergery, a neo-radical who had turned to the collaborationists through ultra-pacifism. From that point on he was banned from the press and the cinema, and worked secretly, writing film dialogues without putting his name to them. With Pierre Bénard, Jeanson participated in the development of secret pamphlets, and just missed being re-arrested in 1942. He continued to lie low until the liberation of France. His story is said to illustrate the contradictions and compromises of absolute pacifism: the willingness to seek an understanding with Germany to avoid war, transforming, after France's defeat, into a desire for proper coexistence, even offering to serve the Germans. The newspaper Aujourd'hui was far from being innocent in its hunting down those allegedly responsible for France's defeat, resorting to the "clean sweep of the broom" myth in its Anglophobia. The paper entered into resonance with Marshal Philippe Pétain's narrative, and took the direction of German propaganda. ... Source: Article "Henri Jeanson" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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KNOWN FOR
FILMOGRAPHY
DIRECTOR1
WRITER64

The Man in the Buick
1968
Dialogue

Paris in August
1966
Dialogue

Le Majordome
1965
Writer

The Black Tulip
1964
Screenplay

Champagne for Savages
1964
Writer

Paris When It Sizzles
1964
Original Film Writer

Don't Tempt the Devil
1963
Dialogue

The Sword and the Balance
1963
Writer

Crime Does Not Pay
1962
Scenario Writer

The Devil and the Ten Commandments
1962
Dialogue

This Time it Must Be Caviar
1961
Writer

Operation Caviar
1961
Writer

Madame
1961
Screenplay

Long Live Henry IV... Long Live Love!
1961
Writer

It Happened All Night
1960
Screenplay, Dialogue

Wasteland
1960
Story

The Cow and I
1959
Writer, Dialogue

Atomic Agent
1959
Writer

Guinguette
1959
Screenplay

Marie-Octobre
1959
Dialogue

Maxime
1958
Screenplay

Nathalie
1957
Dialogue

Lovers of Paris
1957
Writer

Nana
1955
Writer

Madame du Barry
1954
Writer, Adaptation

Daughters of Destiny
1954
Writer

Holiday for Henrietta
1952
Writer

The Man in My Life
1952
Writer

The Moment of Truth
1952
Writer

Bluebeard
1951
Dialogue

Savage Triangle
1951
Adaptation, Screenplay

Three Sinners
1950
Dialogue

Lost Souvenirs
1950
Dialogue, Scenario Writer

Lady Paname
1950
Writer

Twelve Hours to Live
1950
Screenplay

The Sinners
1949
Dialogue

Between Eleven and Midnight
1949
Dialogue

In the Eyes of Memory
1948
Writer

Monelle
1948
Writer

The Loves of Colette
1948
Dialogue

Carbon Copy
1947
Dialogue

The Crowned Fish Tavern
1947
Dialogue
- Square of Knaves
Square of Knaves
1947
Writer, Dialogue

The Damned
1947
Writer

A Lover's Return
1946
Screenplay

Angel and Sinner
1945
Scenario Writer

L'aventure est au coin de la rue
1944
Screenplay

Carmen
1944
Dialogue

The Shanghai Drama
1938
Adaptation

The Curtain Rises
1938
Dialogue

The Patriot
1938
Dialogue

Hôtel du Nord
1938
Screenplay

Princess Tarakanova
1938
Writer

Tarakanova
1938
Dialogue

Naples Under the Kiss of Fire
1937
Writer

French White Cargo
1937
Screenplay

Pépé le Moko
1937
Dialogue

Life Dances On
1937
Dialogue

The Lie of Nina Petrovna
1937
Dialogue

Mister Flow
1936
Writer

Sidonie Panache
1934
Writer

The Merry Monarch
1933
Screenplay

La Dame de chez Maxim's
1933
Screenplay

The Girl from Maxim's
1933
Writer






