
Eugen Schüfftan
Cinematographer · Director · ProducerFrom Wikipedia, the free encyclopedia Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
More details at TMDB
KNOWN FOR
FILMOGRAPHY
CINEMATOGRAPHER53

The Doctor Speaks Out
1966
Director of Photography

Chappaqua
1966
Camera Operator

Three Rooms in Manhattan
1965
Director of Photography

The Big Scare
1964
Director of Photography

Lilith
1964
Director of Photography

The Virgins
1963
Director of Photography

The Hustler
1961
Director of Photography

Something Wild
1961
Director of Photography

Eyes Without a Face
1960
Director of Photography

A Couple
1960
Director of Photography

The Bloody Brood
1959
Director of Photography

Head Against the Wall
1959
Director of Photography

The First Night
1958
Director of Photography

A Parisian in Rome
1954
Director of Photography

The Crimson Curtain
1953
Director of Photography

The Venus of Tivoli
1953
Director of Photography

Mina de Vanghel
1953
Director of Photography

The Respectful Prostitute
1952
Director of Photography

Gunman in the Streets
1950
Director of Photography

Women in the Night
1948
Director of Photography

A Scandal in Paris
1946
Director of Photography

Club Havana
1945
Director of Photography

Bluebeard
1944
Director of Photography

Summer Storm
1944
Director of Photography

Hitler's Madman
1943
Director of Photography

The Emigrant
1940
Director of Photography

There's No Tomorrow
1940
Director of Photography

María de la O
1939
Director of Photography

Port of Shadows
1938
Director of Photography

The Shanghai Drama
1938
Director of Photography

Hatred
1938
Director of Photography

Forfaiture
1937
Director of Photography

Street of Shadows
1937
Director of Photography

Yoshiwara
1937
Director of Photography

Bizarre, Bizarre
1937
Director of Photography

The Trouble with Money
1936
Director of Photography

The Invader
1936
Director of Photography

The Tender Enemy
1936
Director of Photography

The Scandal
1934
Director of Photography

The Slump Is Over
1934
Director of Photography

High and Low
1933
Director of Photography

The Oil Sharks
1933
Director of Photography

Invisible Opponent
1933
Director of Photography

Queen of Atlantis
1932
Director of Photography

The Mistress of Atlantis
1932
Director of Photography

The Scoundrel
1931
Director of Photography

Popular Tune
1931
Director of Photography

I'd Rather Have Cod Liver Oil
1931
Director of Photography

People on Sunday
1930
Director of Photography

The Stolen Face
1930
Director of Photography

Farewell
1930
Director of Photography

Jagd auf dich
1929
Director of Photography

Manon Lescaut
1926
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