

Max Ophüls
Director · Writer · ProducerMaximillian Oppenheimer (6 May 1902 – 26 March 1957) — known as Max Ophüls — was an influential German film director who worked in Germany (1931–33), France (1933–40), the United States (1947–50), and France again (1950–57). He is best known for his smooth camera movements and complex tracking shots. Many of his films are narrated from the point of view of the female protagonist. In addition to the American romantic melodrama Letter from an Unknown Woman (1948), the French productions La Ronde (1950), Le Plaisir (1952), The Earrings of Madame de... (1953) and Lola Montès (1955) are among his best-known works. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.
More details at TMDB
KNOWN FOR
FILMOGRAPHY
DIRECTOR27

Lola Montès
1955
Director

The Earrings of Madame de...
1953
Director

Le Plaisir
1952
Director

La Ronde
1950
Director

The Reckless Moment
1949
Director

Caught
1949
Director

Letter from an Unknown Woman
1948
Director

The Exile
1947
Director

There's No Tomorrow
1940
Director

From Mayerling to Sarajevo
1940
Director

L'école des femmes
1940
Director

The Novel of Werther
1938
Director

Yoshiwara
1937
Director

The Trouble with Money
1936
Director

Chopin's Brilliant Waltz
1936
Director

The Tender Enemy
1936
Director

Divine
1935
Director
- Ave Maria de Schubert
Ave Maria de Schubert
1935
Director

Everybody's Woman
1934
Director

A Man Has Been Stolen
1934
Director

Liebelei
1933
Director

Laughing Heirs
1933
Director

Love Story
1933
Director

The Bartered Bride
1932
Director

The Company's in Love
1932
Director

No More Love
1931
Assistant Director

I'd Rather Have Cod Liver Oil
1931
Director
WRITER15
- Mistress Berta Garlan
Mistress Berta Garlan
1989
Adaptation

Lola Montès
1955
Writer

The Earrings of Madame de...
1953
Screenplay

Le Plaisir
1952
Adaptation

La Ronde
1950
Adaptation

There's No Tomorrow
1940
Screenplay

The Novel of Werther
1938
Adaptation

Yoshiwara
1937
Screenplay

The Trouble with Money
1936
Writer, Dialogue

The Tender Enemy
1936
Screenplay

Divine
1935
Scenario Writer, Writer

Everybody's Woman
1934
Screenplay

Laughing Heirs
1933
Adaptation

The Bartered Bride
1932
Screenplay

I'd Rather Have Cod Liver Oil
1931
Writer





